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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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François Péron

François Péron

François Péron

François Péron, c. 1805

Conrad Westermayr after Jean Henri Cless

Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased 2010

image not online

Kristin Headlam

Kristin Headlam, born in Launceston, completed a BA at the University of Melbourne in the 1970s and studied painting at the Victorian College of the Arts in 1980-1981.

2 portraits in the collection

The Jester (self portrait)

The Jester (self portrait)

The Jester (self portrait)

The Jester (self portrait), 1923

Portrait, wood engraving on paper

Gift of Sir Richard Kingsland AO CBE DFC 2003. Donated through the Australian Government's Cultural Gifts Program.

Thomas Sutcliffe Mort and his wife Theresa

Theresa Mort

Theresa Shepheard Mort (née Laidley, 1820-1869), colonial spouse, was one of eight children of civil servant James Laidley and his wife Eliza Jane (née Shepheard).

2 portraits in the collection

image not online

Maurice Felton

Maurice Appleby Felton (1803-1842) arrived in Sydney with his wife and four children in late 1839 as surgeon to the immigrant ship the Royal Admiral.

3 portraits in the collection

John Richard Tindale

John Richard Tindale

John Richard Tindale

John Richard Tindale, 1841

Portrait, oil on canvas laid on composition board

Collection: National Portrait Gallery
Purchased 2003

Mary Tindale

Mary Tindale

Mary Tindale

Mary Tindale, 1841

Portrait, oil on canvas laid on composition board

Collection: National Portrait Gallery
Purchased 2003

Thomas Sutcliffe Mort and his wife Theresa

Thomas Sutcliffe Mort and his wife Theresa

Thomas Sutcliffe Mort and his wife Theresa

Thomas Sutcliffe Mort and his wife Theresa, c. 1847

an unknown artist, Thomas Wharton

Portrait, daguerreotype in a pinchbeck case

Purchased 2001

David Cossini

David Cossini

Godfrey's amazing man. I've known him for four years now. He has a very tough story.

Little John of Colchester, a poor lunatic, c.1823 by John Dempsey

Dempsey's people

About Face article

Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.

Creator versus character - Chris Lilley

How to be a boy

Magazine article by Dr Christopher Chapman, 2011

Christopher Chapman profiles Chris Lilley, actor and creator of Angry Boys.

Thomas Sutcliffe Mort and his wife Theresa

Husbands and Wives

Photographic Portraits from 19th Century Australia

Previous exhibition, 2010

'I have just been to my dressing case to take a peep at you.

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Self portrait

Fine and dandy

Magazine article by Joanna Gilmour, 2010

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency